Missed sound cues, incorrect light cues, and a play within a play – so goes the Playcrafters Barn Theatre’s schizophrenic comedy (a work in progress), whose opening-night performance was quirky and full of mayhem. Anyone who has ever been involved in the art of theatre knows the process can become a crazy one, and this presentation gives audiences a firsthand view of what happens behind the scenes with a close look at rehearsals, a diversity of actor personalities, and an infamous, erratically temperamental director.

“God bless us, everyone!” is the heartwarming wish from the cast of writer/director Tristan Tapscott's and Countryside Community Theatre's A Christmas Carol musical, now playing at Princeton's charming Boll's Community Center along the banks of the Mississippi River. This delightful production is a pure and humble presentation of the classic tale of Ebenezer Scrooge (Doug Kutzli) and his struggle to find purpose and love in his life, and Saturday’s show was full of both joy and sadness. But most of all it felt cozy. From the scrumptious desserts by Susan Burda, carefully displayed in a small booth at the rear of the theatre, to members of the cast greeting patrons before the show in full character and costume, the atmosphere was exceptionally festive.

Before the start of Tuesday night's dress rehearsal for the Spotlight Theatre's The Happy Elf, there was a little bit of pre-holiday spirit in the air, with various cast members' children and siblings laughing and playing in the aisles, enjoying candy canes and cookies. However, once the performance started, they were as quiet as (dare I say it?) church mice. This may be the best indication of the musical's ability to hold the interest of a young audience.

It must be a daunting task to adapt a film for the stage, and there are dozens of examples of movies – everything from Little Shop of Horrors to King Kong – reinvented for the theatre. But how can you even hope to take one of the most revered American films of all time, a non-musical no less, and turn it into a full-blown musical success? Easy. Do what Quad City Music Guild has done, and simply find good actors, a creative director, talented musicians, and other dedicated artists to recreate the holiday classic It’s A Wonderful Life in the form of the stage musical Miracle in Bedford Falls.

Christmas can be magical. It’s a time for love, cheer, and miracles. And all three of those holiday attributes are currently being dished up at the Black Box Theatre in its production of It Had to Be You.

I've always enjoyed the children’s-theatre presentations at the Circa '21 Dinner Playhouse, and Saturday morning’s performance of Pinocchio brought me yet another magical experience that I thoroughly appreciated. A lighthearted, classic tale about a wooden puppet and his maker’s wish for him to become a real little boy, director Warner Crocker's show emphasizes a positive message about the importance of honesty and is filled with imaginative characters that bring this wonderful story to life.

Lincoln, Booth, and a gun. What could go wrong? As you will come to find out in the latest QC Theatre Workshop presentation Topdog/Underdog, pretty much everything. This production is dark and riveting, even if you can see the inevitable end from the get-go.

Life is full of many different highs and lows that make up the human experience. We may have trials and tribulations, unexpected loss, unforeseen disappointment, and sadness, but we also have happiness, joy, and love. Memories are stored in our brains that, over time, can fade or become distorted. Now what would it be like if we downloaded those memories into a computerized holograph? So goes this science-fiction play by Jordan Harrison, called Marjorie Prime.

Before attending Friday's performance of the Playcrafters Barn Theatre's A Wrinkle in Time, I knew very little about Madeleine L'Engle's beloved science-fantasy novel, save for the recent movie trailer featuring Oprah Winfrey. And as I watched the near-capacity, all-ages audience file in, I could sense an air of joyful anticipation, not unlike the one you might find at the screening of a Harry Potter movie. But by the end of the performance, I felt confused and more than a little disappointed.

Beards, beers, and bucks abounded Saturday night as the Richmond Hill Players presented Escanaba in 'da Moonlight, a comedy written by Emmy-award winning actor Jeff Daniels. The program notes that Daniels, of Dumb & Dumber fame, is primarily a dramatic actor, but make no mistake: This production was straight-up slapstick comedy.

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