I won't be coy: The Playcrafters Barn Theatre's Something Intangible, by Bruce Graham, is an imagining of the relationship between brothers Walt and Roy Disney, but with the names changed. They co-founded the Disney Bros. Studios, with Walt the visionary and Roy the money man.

Whenever I visit Geneseo's Richmond Hill Barn Theatre, I'm reminded of how wholesome, welcoming, and beautiful this location in the Midwest is, and how this unique venue is truly a lovely place to take in a show. The players’ latest production, author Jack Sharkey's Missing Link, is a marital comedy full of all kinds of twists and turns, mistaken identities, and romantic conundrums, and it gives patrons a lighthearted look at the things we do for love.

As a rule, I don’t give standing ovations. However, on Friday evening, I gave one of the most honest standing ovations of my life at A Green River, currently running at Augustana College care of the Mississippi Bend Players. Across the board, this show, directed by Philip Wm. McKinley, could have flown across a London sky via umbrella, because it was practically perfect.

What a magical Saturday afternoon I had at the Timber Lake Playhouse enjoying the company's latest summer production of Into the Woods, a storybook brought to life with fabulous fables and folk tales including those of Jack and the Beanstalk, Cinderella, Rapunzel, and Little Red Riding Hood.

If you know Joseph & the Amazing Technicolor Dreamcoat, you know it's a fun show. If you've seen the current troupe at the Clinton Area Showboat Theatre, you know how deep-down wonderful they are. And when this company took on this classic musical, I expected to be dazzled. I was, as was the capacity crowd for Saturday's opening matinée performance.

Nestled between Lincoln Park’s tall, mature trees, a handful of patrons braved bugs and humidity to settle around the Don Wooten stage for Genesius Guild’s opening night performance of The Bacchae. It’s honestly a shame it wasn’t better attended, because director Patti Flaherty was at the helm of a glorious night of outdoor theatre.

Noises Off, by English playwright Michael Frayn, is a 1982 comedic farce of epic proportions, and you will likely either love this show or hate it. The guy sitting next to me, for instance, did not come back after intermission. The lady in front of me laughed hysterically. And an older fellow in the front row seemed to be dozing off. So there was definitely a wide range of audience reactions to this gag-filled production.

There are two sides to every story. And no matter what you think you know, the Circa '21 Dinner Playhouse’s delightful children’s show The True Story of the Three Little Pigs is here to lay the facts all out for you so you can decide for yourself.

Noël Coward's 1941 comedy Blithe Spirit was adapted for film in 1945, as well as for television and radio and as a musical. It's been offered by multitudes of theatres, now including the Clinton Area Showboat Theatre – which proved, on Friday, that their production can stand with the best of them.

The opening-night, sell-out crowd filling the Black Box Theatre appeared engaged by, and mostly appreciative of, Little Women: The Musical. The talented cast performed with gusto, intelligence, and tenderness, as required. Unfortunately, however, the adaptation itself of the late-19th-century Louisa May Alcott classic left me disappointed overall.

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