It seems that the older I get, and the older Michael Moore gets, the more I'm conscious of his imperfections as a filmmaker - and the less I could give a damn about them.
Joel Schumacher's Phone Booth starts off so poorly that it's a major surprise - a shock, really - when the movie winds up being thrilling, even exhilarating; it proves that a great, meaty premise can overcome almost all obstacles.
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