03 Sep 2002

"The Good Girl" Offers a Surprising High: Also, "Undisputed" and "Fear Dot Com"

By Mike Schulz

Jennifer Aniston and Jake Gyllenhaal in The Good GirlTHE GOOD GIRL

The Good Girl is the most fun I've had at the movies since Spider-Man and, with the possible exception of Y tu mama tambien, the finest movie I've seen all year, and I can't begin to describe how shocking that is.

13 Aug 2002

A Late-Summer Bumper Crop of Crap: "XXX," "Blood Work," "Martin Lawrence's Runteldat," and "Spy Kids 2: The Island of Lost Dreams"

By Mike Schulz

Asia Argento and Vin Diesel in XXXXXX

Put simply, Vin Diesel's action thriller XXX, directed by The Fast and the Furious helmer, Rob Cohen, succeeds competently at its intentions, which are to make a loud, ass-kicking, summertime blockbuster and kickstart a new, James-Bond-playing-extreme-sports movie franchise.

18 Jun 2002

Director and Damon Create a Distinctive "Identity": "The Bourne Identity," "Windtalkers," and "Scooby-Doo"

By Mike Schulz

Matt Damon in The Bourne IdentityTHE BOURNE IDENTITY

I have a lower threshold for international spy thrillers than most people, yet I must admit that I found The Bourne Identity, based on Robert Ludlam's 1980 bestseller, pretty damned enjoyable.

14 May 2002

Lane Shines in Hypnotic "Unfaithful": Also, "Y tu mama tambien" and "Deuces Wild"

By Mike Schulz

Diane Lane and Olivier Martinez in UnfaithfulUNFAITHFUL

Diane Lane has been a terrific performer for close to 25 years without really becoming a star, yet that's destined to change with Unfaithful, the hypnotic new Adrian Lyne thriller that gives Ms. Lane the chance to show, when granted the right material, how incredibly fine she can be.

07 May 2002

"Spider-Man" Takes Flight with Giddy Action: Also, "Hollywood Ending"

By Mike Schulz

Tobey Maguire and Kirsten Dunst in Spider-ManSPIDER-MAN

Your enjoyment of Sam Raimi's Spider-Man adaptation will, I think, boil down to just how realistic you want your special effects to be. I imagine that even those who haven't yet seen the film - and there must be at least three or four of you out there - will have seen the previews of our hero as he leaps across buildings and whooshes through downtown Manhattan, and they're all most obviously computer-generated effects; I have friends who refuse to see the film because of how bored they already are of CGI in movies.

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