Colin Firth and Geoffrey Rush in The King's SpeechTHE KING'S SPEECH

A tony odd-couple comedy in the guise of a historical prestige pic, The King's Speech boasts a pair of exceptional performances by Colin Firth and Geoffrey Rush, and is a terrific amount of fun. But am I alone in thinking that its central storyline is the least interesting thing about it?

Reese Witherspoon and Paul Rudd in How Do You KnowHOW DO YOU KNOW

There's actually quite a bit of good to be said about writer/director James L. Brooks' How Do You Know, not least of which is that it's nowhere near as unbearable as Brooks' last offering, 2004's Spanglish. Unfortunately, that's not the same as saying the movie itself is good.

Jaden Smith and Jackie Chan in The Karate KidTHE KARATE KID

The opening scenes in director Harald Zwart's The Karate Kid remake, with the preternaturally confident and magnetic Jaden Smith taking over the Ralph Macchio role, are really good. But your first indication that the movie might wind up being really great - or, at the very least, a really great time - comes with its introduction of Mr. Han, the Pat Morita substitute played here by Jackie Chan.

Fantastic Mr. FoxFANTASTIC MR. FOX

Film scholars widely agree that 1939 remains the strongest year ever for American movies. But I'm starting to think that, as the decades pass, 2009 might be seen as a comparable year for animated movies.

Ben Stiller in Night at the Museum: Battle of the SmithsonianNIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN

Night at the Museum: Battle of the Smithsonian is to its precursor what Ghostbusters II is to Ghostbusters: the less-novel offering, sure, but a follow-up of surprising wit and great throwaway touches, and one that, in many ways, improves on source material that was pretty terrific to begin with. Despite its titular locale, no one is going to mistake director Shawn Levy's adventure comedy for a work of art, yet when this follow-up is really working - which is surprisingly often - it provides a giddy, giggly rush, and it's filled with comic bits that you could probably watch three or four times in succession and laugh at every single time. The movie is scrappy, silly, and a load of fun.

Nate Hartley, Owen Wilson, David Dorfman, and Troy Gentile in Drillbit TaylorDRILLBIT TAYLOR

Last summer, when Superbad hit it big, we learned that co-writers Seth Rogen and Evan Goldberg wrote a first draft of the script when they were 13. Rogen is now credited as co-writer (with Kristofer Brown) for the revenge-of-the-nerds comedy Drillbit Taylor, and although I haven't done any research on the film's history, I'm kind of hoping it's something he began working on when he was, say, eight or nine. Juvenile is one thing, but remedial is quite another, and unfortunately, Drillbit Taylor feels as though it was hastily assembled during a grade-school sleepover in which Rogen began prepping Superbad, with My Bodyguard and Ferris Bueller's Day Off used as additional "inspiration."

 

In the minutes following the announcement of this year's Academy Awards nominations, media outlets were abuzz about the downbeat nature of the major contenders, and it was widely predicted that this year's Oscar telecast - which aired on Sunday, March 5 - would be the lowest-rated one in ages.

Bonnie Wright and Daniel Radcliffe in Harry Potter & the Chamber of SecretsHARRY POTTER & THE CHAMBER OF SECRETS

Although I didn't care for last year's Harry Potter & The Sorcerer's Stone, I was more than willing to greet the new Harry Potter & The Chamber of Secrets with an open mind.

ZOOLANDER

Those of us who've been waiting, in film after film, for Ben Stiller to hit the comedic peaks he reached on his short-lived TV series The Ben Stiller Show might find Zoolander pretty irresistible.

Martin Lawrence in Big Momma's HouseBIG MOMMA'S HOUSE, SHANGHAI NOON, and ROAD TRIP

 

First, the good news: the new Martin Lawrence comedy, Big Momma's House, is nowhere near as terrible as Mrs. Doubtfire, his last film to put its comic star is prosthetic drag for most of its length. The bad news, as you might have expected, is that the movie still isn't very good.

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